In a time before Men ruled the lands, the Wisdom Keepers arrived and forged a great castle from the mountains in the north. High where the eagle flew and more beautiful than the Highlands themselves, the wonderous tower stretched into the clouds.

From this wonderous vantage, the Elders watched and learned of the seasons and chronicled what was even then their ancient history. In time their words great into a great library, filled with knowledge. The tower became known as The Hall of Beginnings and many would come to learn from the ancient scrolls.

Travel with us now as we re-enter the enormous chambers, filled with pages scribed so long ago - and rediscover the magic and enchantment of a time almost forgotten.

Tony O’Connor - June 2001

REVIEW: Bill Binkleman, Wind & Wire Magazine

Inspired by and drawing influence from the (at the time) impending release of Peter Jackson’s incredible film treatment of Tolkien’s Fellowship of the Ring/Lord of the Rings, Tony O’Connor has released an album of dramatic, visual, and cinematic music, filled with moments of elation, triumph, despair, mystery, and romance. The music on Hall of Beginnings certainly mirrors the emotions elicited by Jackson’s superb interpretation of Tolkien’s literary masterpiece. Whether O’Connor’s worldwide fans (who have embraced Tony’s wonderful instrumental recordings) will find they can resonate equally as well to the “soundtrack” approach and the occasional high drama of this exciting album remains to be seen. I am a big fan of this album.

Hall of Beginnings is masterfully composed, performed and recorded. There is true and unmistakable majesty in the refrain of the opening title track. You can palpably sense an adventure in the offing as the (synthesized) orchestra swells and the timpani beat out their crescendo. Honestly, it’s damn hard to believe that there isn’t a real orchestra playing on this recording. It sure sounds like the real thing most of the time (maybe all of the time, in fact).

“Wind Seeker” marks a completely different approach musically, as Tony uses a wooden flute and synth-harp (or real harp, perhaps) to lend the song a medieval feel - the music is both romantic and forlorn. Tony’s technical proficiency with wind instruments is showcased on this and several other cuts on the album, as well as his solid engineering and production savvy. Hall of Beginnings is an extremely well-recorded album (as are all of this artist’s recordings).

Bringing even more of a “movie” feel to the album is the inclusion of some sound effects scattered throughout the recording, including sounds that bring to mind life in a medieval village or castle. They are non-intrusive most of the time, so don’t be dissuaded by my mention of them.

Since there are only seven tracks on the CD, you can correctly deduce that the music has plenty of time to stretch out and develop on most songs, such as the two-part “A Blessing - The Battle” (sound effects on this track include a horse’s hooves clip-clopping in a castle courtyard, church bells pealing, a raven cawing, and monks singing a [Latin?] hymn). It’s fairly
obvious that there is likely a literal story to the music on Hall of Beginnings, but as if to really drive this point home, Tony has done something unique and highly creative. The CD itself is packaged in a DVD-style case and instead of the normal liner notes, there is a small booklet of fantasy art included inside (the art is very well-done, I might add, by artist Dmitry Savinoff). The overall effect is undeniable - Tony intends for the music and artwork to inspire the listener to create a “movie” in your mind as the music plays.

Besides the wooden flute and his usual arsenal of keyboards, Tony also plays guitar, piano, harp, percussion and his trademark electric woodwinds. As any reader of previous O’Connor recording reviews I have written knows, I consider Tony a consummate musician. On Hall of Beginnings, he flexes his muscles in new and exciting directions. From the achingly sad passage in “A Blessing - the Battle,” with plaintive guitar and angelic female vocals, to the almost sorrowful “Lament,” graced by some beautiful solo harp work, to the sprightly and fantasy-drenched “Elven Dance,” blending fanciful synths, percussion, and electric woodwinds in an intoxicating satyr-like dance of sly mystery, Tony performs in inspired fashion. Whether romantic, majestic, tragic, or celebratory, the music on Hall of Beginnings is truly befitting of knights, dragons, wizards, and brave deeds done on the field of battle. Ambitious, exciting, often quite beautiful, and yet very accessible and (dare I say it) catchy at times, Hall of Beginnings shows that when inspired by something as awesome as Tolkien’s Lord of the Rings, Tony O’Connor rises to the occasion and delivers music fit for all of Middle Earth. Delightful and recommended.